Experimental: ARC II — Chronomara

Sale price€4.350,00
Pay in instalments
Size: 40.5 mm
Arc II Size Guide

The Arc II — Chronomara brings Irish Connemara marble to life with a luminous composite dial, handcrafted in Copenhagen. Created in honour of independent watchmaking champion Johnny McElherron, it combines Irish heritage with Scandinavian experimentation. 

We crush the marble and transform it into a semi-translucent hand polished composite, preserving its rich green character. Layered above solid Lumicast and beneath a sapphire disc, the dial reveals depth by day and an intense characterful glow after dark. It marks the debut of our new four-layer dial construction, opening new possibilities for combining natural materials and light. Limited to 66 individually numbered pieces across 37 mm and 40.5 mm sizes.


Delivery: 6–8 weeks

Only 15 pieces assembled in 2026

01

Time To Layer Up

The Arc II — Chronomara is our first commercially-available model to feature an entirely new dial system that we have been developing at Arcanaut for years, bringing together our experience in composite creation, lume performance, and structural refinement. 

It combines two of our core strengths — lume and composites — in a four-layer sandwich dial architecture (five, if you count the 9-karat gold-plated stainless steel chapter ring "cup", which holds everything together) designed to enhanced the feeling of depth, arresting light play on the dial, and legibility in all conditions.

The top layer is a sapphire crystal disc, treated with a green anti-reflective coating. Beneath it sits a slightly opaque composite made from deconstructed (read: crushed) Chronomara, followed by a solid Super-LumiNova disc in a custom Kelly green developed exclusively for this project. 

These three layers, each with its own texture and properties, sit atop a nickel-plated baseplate, chosen for its white tone and reflective surface, which helps charge the lume and keep it charged.

02

Connie, who?

Connemara marble isn't exactly the most commonly talked-about stone.

It doesn't get anywhere the pop of something like an onyx, a malachite, or, say, a Tiger's Eye. 

Watchmaking has its favourites, and for good reason. The stone dials you see most brands deploying these days are ubiquitous, cheap to source, slice, and finish. 

The popularity of hard stone dials has led to an increase in suppliers and the volume supplied. This, in turn, stimulates a fine-tuning of the manufacturing processes, slashing prices. The specialised processes for doing exactly this to stone dials becomes perfected. For us, that was too easy...

We wanted to take a material that has never been used in a watch at this level, and certainly not in this way. Bigger brands that demand massive volumes would hate to work with such a variable, unpredictable stone. Slicing it is possible, but finding enough pleasing slices to make a mass volume series of legible dials? Good luck.

We fell in love with Connemara marble. Whether we wanted to work with was not the question. Exactly how we did that was...

03

Crushing It

To create the composite used for the Chronomara dial, we took lumps of relatively homogeneously coloured Connemara marble and crushed it into a powder with a big enough grain size to retain the hue and character we required.

Think rock. Think pestle and mortar. Think a lot of sieving and swearing. That's the process. Hard, manual labour, conducted over not just days, but weeks.

And then we rebuilt it, using a UV-resistant binding fluid. 

Once we'd thoroughly destroyed something and resurrected it into something even more beautiful than before, we finished it by hand so the surface is flat and precisely the right thickness for playing its part our multi-layered dial.

04

What You See Isn't Half Of What You Get

So why did we do it that way? It wasn't just to be different, but, of course, that part of our remit played its part. Our one word motto — "Discovery" — compels us to try anything and almost everything we can think of, while our mantra — "Failure is always an option — keeps our painfully fragile egos wrapped in cotton wool.

It was because we had a vision. A vision of a watch of disturbing duality. One that shows a proud, almost regal face of misty green and old gold during the day, and one that shifts and smoulders like a verdant ember on the wrist at night.

No one's ever tried to make stone glow like this. We wanted to be the first.

05

If You Want Something Doing Right...

Our unique, in-house developed dial construction lets light travel through the material. Although it's theoretically possible to slice the stone thin enough to allow light to pass through it in both directions, doing so would lose too much of the character and consistency required for a watch dial that must cause delight without distraction.    

The result is neither traditional stone nor conventional lume, but a remarkably satisfying fusion of the two.

This process, which is entirely Arcanaut's, makes possible many exciting experiments for the future. And, knowing our luck, several unplanned explosions along the way to boot...

06

Closer to the making; closer to the makers

Because the dial development and production happen in-house at Arcanaut, we are able to keep customers closely informed throughout the journey. Those who order will receive updates along the way, along with occasional glimpses from the bench into the experimentation, refinement, and craftsmanship that go into bringing the watch to life.

To us, buying an Arcanaut should feel like more than simply making a purchase. It should feel like joining the crew of the Good Ship Arcanaut as we travel into territories unexplored. 

We genuinely enjoy opening up the process and sharing the parts of watchmaking that people rarely get to see. 

Just make sure you wear your safety goggles and don't stand too close. We're fond of your face where it is. 

01

Time To Layer Up

The Arc II — Chronomara is our first commercially-available model to feature an entirely new dial system that we have been developing at Arcanaut for years, bringing together our experience in composite creation, lume performance, and structural refinement. 

It combines two of our core strengths — lume and composites — in a four-layer sandwich dial architecture (five, if you count the 9-karat gold-plated stainless steel chapter ring "cup", which holds everything together) designed to enhanced the feeling of depth, arresting light play on the dial, and legibility in all conditions.

The top layer is a sapphire crystal disc, treated with a green anti-reflective coating. Beneath it sits a slightly opaque composite made from deconstructed (read: crushed) Chronomara, followed by a solid Super-LumiNova disc in a custom Kelly green developed exclusively for this project. 

These three layers, each with its own texture and properties, sit atop a nickel-plated baseplate, chosen for its white tone and reflective surface, which helps charge the lume and keep it charged.

02

Connie, who?

Connemara marble isn't exactly the most commonly talked-about stone.

It doesn't get anywhere the pop of something like an onyx, a malachite, or, say, a Tiger's Eye. 

Watchmaking has its favourites, and for good reason. The stone dials you see most brands deploying these days are ubiquitous, cheap to source, slice, and finish. 

The popularity of hard stone dials has led to an increase in suppliers and the volume supplied. This, in turn, stimulates a fine-tuning of the manufacturing processes, slashing prices. The specialised processes for doing exactly this to stone dials becomes perfected. For us, that was too easy...

We wanted to take a material that has never been used in a watch at this level, and certainly not in this way. Bigger brands that demand massive volumes would hate to work with such a variable, unpredictable stone. Slicing it is possible, but finding enough pleasing slices to make a mass volume series of legible dials? Good luck.

We fell in love with Connemara marble. Whether we wanted to work with was not the question. Exactly how we did that was...

03

Crushing It

To create the composite used for the Chronomara dial, we took lumps of relatively homogeneously coloured Connemara marble and crushed it into a powder with a big enough grain size to retain the hue and character we required.

Think rock. Think pestle and mortar. Think a lot of sieving and swearing. That's the process. Hard, manual labour, conducted over not just days, but weeks.

And then we rebuilt it, using a UV-resistant binding fluid. 

Once we'd thoroughly destroyed something and resurrected it into something even more beautiful than before, we finished it by hand so the surface is flat and precisely the right thickness for playing its part our multi-layered dial.

04

What You See Isn't Half Of What You Get

So why did we do it that way? It wasn't just to be different, but, of course, that part of our remit played its part. Our one word motto — "Discovery" — compels us to try anything and almost everything we can think of, while our mantra — "Failure is always an option — keeps our painfully fragile egos wrapped in cotton wool.

It was because we had a vision. A vision of a watch of disturbing duality. One that shows a proud, almost regal face of misty green and old gold during the day, and one that shifts and smoulders like a verdant ember on the wrist at night.

No one's ever tried to make stone glow like this. We wanted to be the first.

05

If You Want Something Doing Right...

Our unique, in-house developed dial construction lets light travel through the material. Although it's theoretically possible to slice the stone thin enough to allow light to pass through it in both directions, doing so would lose too much of the character and consistency required for a watch dial that must cause delight without distraction.    

The result is neither traditional stone nor conventional lume, but a remarkably satisfying fusion of the two.

This process, which is entirely Arcanaut's, makes possible many exciting experiments for the future. And, knowing our luck, several unplanned explosions along the way to boot...

06

Closer to the making; closer to the makers

Because the dial development and production happen in-house at Arcanaut, we are able to keep customers closely informed throughout the journey. Those who order will receive updates along the way, along with occasional glimpses from the bench into the experimentation, refinement, and craftsmanship that go into bringing the watch to life.

To us, buying an Arcanaut should feel like more than simply making a purchase. It should feel like joining the crew of the Good Ship Arcanaut as we travel into territories unexplored. 

We genuinely enjoy opening up the process and sharing the parts of watchmaking that people rarely get to see. 

Just make sure you wear your safety goggles and don't stand too close. We're fond of your face where it is. 

case 37 MM/40.5 MM

case: 37 mm

case: 40.5 mm

Drag

DIAL NIGHT/DAY

DAY

NIGHT

Drag

CASEBACK NIGHT/DAY

DAY

NIGHT

Drag

Technical information

Dimensions

40.5 mm diameter (excluding crown), and 49 mm lug-to-lug.

37 mm diameter (excluding crown), and 45 mm lug-to-lug. 

Case

Micro-blasted 316L stainless steel case with skeleton "framing"  

Water resistance

100 m (10 ATM)

Hands

Gold plated handset (hours, minutes, and seconds)

Movement

La-Joux Perret G101, Swiss Automatic

Power reserve

68 hours

Dial

Natural Connemara marble, deconstructed and reconstructed into a proprietary luminous composite.

No two dials are identical.

Limitation

Limited to 66 pieces in total, across both sizes

Strap

Integrated ergonomic rubber strap